
Janesville, Wisconsin a town unraveling from the closure of it's GM plant.
For the Progressive, art director Nick Jehlen. Inspiration was partly from one of my favorite Maynard Dixon paintings, see below.

The roughs.
For John Hopkins magazine on whether or not it would be ethical to bio-engineer an lab animal that didn't feel pain. Art director was Pamela Li.
Here's the roughs. I risked pushing the colored one, but I needed to see if I could get close enough to pulling it off. Luckily Pam liked it as well.
Here's the tight drawing, after a dozen re-drawings trying to get the black rabbits legs right.
I actually ended up doing two versions of the final, because I felt the texture in the first one, on the left was distracting. What do you think?

Here's the roughs. Cecelia liked the boats going off the fever line water cliff, but asked me to put in some tigers instead. No problem! I love drawing animals.
Tight sketch.
An inside quarter page.
And in print.

Here were the roughs for the opener and 2 insides.
After exploring a bunch of compositions here's the tight sketch and color study I arrived at.
Finishes of the two inside pieces. My wife Shayna posed for the rain one.
Here's the spread in the magazine, I love how he ghosted it over.
For an Economist special report cover in April, on the the Rich.
Here's the roughs.
The line drawing.

This was for an essay in Atlanta Magazine which compared the past struggles for human and civil rights to the current struggle for rights for the disabled and handicapped. Art director was Eric Capossela.
Here are the roughs. Eric picked the strongest.
My idea was sparked by memories of seeing the above painting and drawing. Although I wasn't familiar with the the Wedgewood jasper-ware medallion. It was commissioned by the Quakers in 1788 and is particularly beautiful, I wish I owned one.
The reference was helpful but not enough though, for the pose I was after.
The actual painting, before a simple invert in photoshop for the final.